Germany/Austria 2024 7 min original version with English subtitles
World premiere
by Jan Soldat
Concept and Realization: Jan Soldat, Editing: Jan Soldat, Sound Mixing: Lorenz Fischer
World premiere
by Jan Soldat
Concept and Realization: Jan Soldat, Editing: Jan Soldat, Sound Mixing: Lorenz Fischer
A short found footage montage about the obsession with and the fetishization of female murder victims, the staging of female passivity and a culture of romanticized femicide.
Jan Soldat, born in 1984 in Karl-Marx-Stadt, today’s Chemnitz, studied Mathematical Economics before changing to Mechanical Engineering. After abandoning his studies, he went to work at a hospital in Chemnitz as a care assistant and realised his first films as a one-euro jobber in Chemnitz’ Kunstfabrik art centre. He subsequently studied at KONRAD WOLF Film University of Babelsberg. His over 100 mostly documentary works to date deal with diverse sexual preferences – and most recently with movie death.
Filmography (selection): 2010 BE LOVED, 2014 COMING OF AGE, 2017 HAPPY HAPPY BABY, 2021 NULLO; ZUMINDEST BIN ICH DRAUSSEN GEWESEN, 2022 THE ACT OF DYING; STAGING DEATH (ex 35), 2023 FACES OF DEATH (ex 36), 2024 DIE SCHÖNE TOTE
Filmography (selection): 2010 BE LOVED, 2014 COMING OF AGE, 2017 HAPPY HAPPY BABY, 2021 NULLO; ZUMINDEST BIN ICH DRAUSSEN GEWESEN, 2022 THE ACT OF DYING; STAGING DEATH (ex 35), 2023 FACES OF DEATH (ex 36), 2024 DIE SCHÖNE TOTE
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