{"id":6656,"date":"2020-11-22T21:00:45","date_gmt":"2020-11-22T20:00:45","guid":{"rendered":"https:\/\/exground.com\/?p=6656"},"modified":"2020-11-23T16:06:58","modified_gmt":"2020-11-23T15:06:58","slug":"preistraeger-beim-exground-filmfest-33","status":"publish","type":"post","link":"https:\/\/exground.com\/en\/preistraeger-beim-exground-filmfest-33\/","title":{"rendered":"Prize Winners at exground filmfest 33"},"content":{"rendered":"<h3><!--lineBreak--><\/h3>\n<h3><b>KEEP SHIFTIN\u2019 wins German Short Film Competition \/\/ Mexican production <\/b><b>NIGHTCRAWLERS<\/b><b> takes Best International Short Film \/\/ ALBTR\u00c4UMER wins Jury and Audience Awards at exground youth days \/\/ <\/b><b>Audience Award DAS BRETT goes to WALCHENSEE FOREVER \/\/ goEast Audience Award for ZANA<\/b><\/h3>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">This past Sunday evening, the awards for the online edition of <\/span><b>exground filmfest 33<\/b><span style=\"font-weight: 400;\"> were presented in Wiesbaden, Germany. After the final audience voting was tabulated, the live webcast of the awards ceremony began at 8 pm with Andrea Wink from the festival organisational team welcoming viewers, award sponsors, jury members, laudators and award winners from the city\u2019s Caligari FilmB\u00fchne cinema. All in all, exground filmfest bestowed <\/span><b>cash and non-cash prize packages<\/b><span style=\"font-weight: 400;\"> with a total value of <\/span><b>17,500 euros <\/b><span style=\"font-weight: 400;\">this year. In addition, Heleen Gerritsen, director of <\/span><b>goEast<\/b><span style=\"font-weight: 400;\"> \u2013 Festival of Central and Eastern European Film, announced the winner of the <\/span><b>Audience Award<\/b><span style=\"font-weight: 400;\"> (<\/span><b>1,500 euros<\/b><span style=\"font-weight: 400;\">) for the \u201cgoEast@exground\u201d series.<\/span><\/p>\n<p><a href=\"https:\/\/exground.com\/wp-content\/uploads\/2020\/11\/ex33_list-winners.pdf\" target=\"_blank\" rel=\"noopener\"><strong>&gt;&gt; Overview of This Year\u2019s Prize Winners<\/strong><\/a><\/p>\n<hr \/>\n<h4><b>German Feature Film Competition: DAS BRETT<\/b><b>\u00a0<\/b><\/h4>\n<p><span style=\"font-weight: 400;\">In the \u201cMade in Germany\u201d series, due to the effects of Covid-19, this year, instead of an inmate jury, the audience selected the best German feature film. From among the six nominated productions, viewers chose <\/span><b>WALCHENSEE FOREVER <\/b><span style=\"font-weight: 400;\">by Janna Ji Wonders. The award is endowed with a prize of 1,500 euros, sponsored by Wiesbadener Kinofestival e. V.<\/span><\/p>\n<hr \/>\n<h4><b>German Short Film Competition<\/b><\/h4>\n<p><span style=\"font-weight: 400;\">In the German Short Film Competition, the audience chose <\/span><b>KEEP SHIFTIN\u2019<\/b><\/p>\n<p><span style=\"font-weight: 400;\">by Verena Wagner as the winning film. First prize, endowed with 3,000 euros, was sponsored again this year by the State Capital of Wiesbaden. Second place went to <\/span><b>AMONG HUMANS <\/b><span style=\"font-weight: 400;\">by Caren Wuhrer, who received prize money in the amount of 2,000 euros, sponsored by Wiesbaden-based Magenta TV Fernsehproduktionsgesellschaft. Jannis Alexander Kiefer was honoured with third prize (1,000 euros, sponsored by the State Capital od Wiesbaden) for <\/span><b>MEETING<\/b><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In addition, two non-cash prize packages were presented: For his film <\/span><b>FOR REASONS UNKNOWN<\/b><span style=\"font-weight: 400;\">, Tom Otte received a film equipment rental package valued at 2,000 euros from Pille Filmger\u00e4teverleih for the realisation of his next film. The prize package of one day of colour grading for a short film project sponsored by Magenta TV Fernsehproduktionsgesellschaft and valued at 1,500 euros went to Jannis Alexander Kiefer for his film <\/span><b>MEETING<\/b><span style=\"font-weight: 400;\">.<\/span><\/p>\n<hr \/>\n<h4><b>International Short Film Competition<\/b><\/h4>\n<p><span style=\"font-weight: 400;\">In the International Short Film Competition, the international jury chose the Mexican production <\/span><b>NIGHTCRAWLERS [NOCT\u00c1MBULOS] <\/b><span style=\"font-weight: 400;\">by Arturo Baltazar as the winning film. The prize money of 2,000 euros was sponsored by the exground Circle of Friends. <\/span><b>Jury members Alexandra Gramatke<\/b><span style=\"font-weight: 400;\"> (managing director of Kurzfilm Agentur Hamburg), <\/span><b>Thomas Johnson<\/b><span style=\"font-weight: 400;\"> (artist and filmmaker from Great Britain) and <\/span><b>Marion Klomfa\u00df <\/b><span style=\"font-weight: 400;\">(festival director of Nippon Connection from Frankfurt am Main) explained their selection with the following statement:\u00a0<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">&#8220;Arturo Baltazar\u2019s film shows fragments of the lives of people in a big city. Shot constantly in the darkness of the night, it touches on the idea of loss and longing. We don\u2019t get much information about the backgrounds of the night crawlers. Instead, the incredibly skilful editing creates a puzzle of strong scenes which is far from being complete, thus giving us the chance to fill the gaps with our own feelings and thoughts. Clear and composed pictures, almost like paintings, and the subtle use of sound and music enhance the emotional depth of this beautiful and melancholic short film. Congratulations to a young filmmaker who obviously has a lot of life experience!&#8221;<\/span><\/i><\/p>\n<p><span style=\"font-weight: 400;\">A Special Mention went to <\/span><b>JUST A GUY <\/b><span style=\"font-weight: 400;\">by Shoko Hara from Germany, which the jury praised with the following words:<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">&#8220;A shocking subject, no doubt. Shoko Hara\u2019s animated documentary deals with one of the most famous serial killers, focusing on some of the numerous women who held relationships with him during his time in death row. Why do women fall in love with a bad guy? The film does not give an answer, nor does it judge over them. It just lets them tell their stories. This way of treating the subject is as refreshing as the unique animation style employed by its author: A combination of a traditional cut out stop-motion technique with composited real eyes, something new, never seen before, is created. The jury was deeply impressed.&#8221;<\/span><\/i><\/p>\n<hr \/>\n<h4><b>Wiesbaden Special \u2013 Short Film Competition<\/b><\/h4>\n<p><span style=\"font-weight: 400;\">In the audience competition for the best Wiesbaden-related short film, <\/span><b>SOMMERREGEN <\/b><span style=\"font-weight: 400;\">by Julia Skala and Oscar Jacobson came out on top in the voting. The directorial duo received 500 euros for their work, sponsored by festival media partner Wiesbadener Kurier.\u00a0<\/span><\/p>\n<hr \/>\n<h4><b>exground youth days \u2013 International Youth Film Competition<\/b><\/h4>\n<p><span style=\"font-weight: 400;\">The youth jury in the <\/span><b>International Youth Film Competition<\/b><span style=\"font-weight: 400;\"> gave the Award for Best Feature Film this year to <\/span><b>DARKDREAMERS [ALBTR\u00c4UMER] <\/b><span style=\"font-weight: 400;\">by German director Philipp Klinger:<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">&#8220;The film tells the story of Rebekka, a young woman attempting to come to terms with the suicide of her brother, who is always present in her everyday life in spite of his passing. In her search for answers, she gets close to the person that everyone blames for her brother\u2019s death. A story of loss, grief, anger, love and guilt. Thanks to its believable characters and heavy, dense atmosphere, the film manages to remain gripping to the very end. Adeptly deployed close-up shots confront the viewer inescapably with the emotions of the various protagonists. In the end, unexpected truths come to light. All in all: a masterful cinema experience.&#8221;<\/span><\/i><\/p>\n<p><span style=\"font-weight: 400;\">The prize money (2,500 euros) was sponsored by the State Capital of Wiesbaden.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Philipp Klinger\u2019s <\/span><b>DARKDREAMERS [ALBTR\u00c4UMER] <\/b><span style=\"font-weight: 400;\">was also <\/span><b>chosen by the festival audience<\/b><span style=\"font-weight: 400;\"> as best feature film in the International Youth Film Competition. The director can look forward to a further 1,000 euros in prize money, sponsored by the State Capital of Wiesbaden.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">The <\/span><b>Youth Jury Award for Best Short Film<\/b><span style=\"font-weight: 400;\"> went to Jerry Hoffmann for his film <\/span><b>MALL<\/b><span style=\"font-weight: 400;\">:<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">&#8220;A moving story in seven minutes. A boy gets caught stealing a mermaid doll from a supermarket. Instead of getting mad or making fun of him, his father decides to buy the doll for him as a present, which puts a blissful smile on his son\u2019s face. Without dialogue or colour, the film manages to communicate a clear message to the viewer: boys can play with mermaids too!&#8221;<\/span><\/i><\/p>\n<p><span style=\"font-weight: 400;\">The prize money (500 euros) was sponsored by Wiesbadener Kinofestival e. V.<\/span><\/p>\n<hr \/>\n<h4><b>goEast Audience Award<\/b><\/h4>\n<p><span style=\"font-weight: 400;\">From the competition films featured in the goEast@exground section, the audience chose <\/span><b>ZANA<\/b><span style=\"font-weight: 400;\"> by Antoneta Kastrati as the winning film. The cash prize of 1,500 euros was made possible by a successful crowdfunding campaign, which was honoured by \u201ckulturMut\u201d \u2013 the crowdfunding platform of Aventis Foundation and Kulturfonds Frankfurt RheinMain.\u00a0<\/span><\/p>\n<p><b>Save the date: exground filmfest 34 will take place from 12 to 21 November 2021.<\/b><\/p>\n","protected":false},"excerpt":{"rendered":"<p>These are the prize winners at exground filmfest 33.<\/p>\n","protected":false},"author":1,"featured_media":6657,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19,1],"tags":[],"class_list":["post-6656","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pressemitteilungen","category-mediadaten"],"translation":{"provider":"WPGlobus","version":"3.0.5","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":true},"en":{"title":true,"content":true,"excerpt":true}}},"_links":{"self":[{"href":"https:\/\/exground.com\/en\/wp-json\/wp\/v2\/posts\/6656","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/exground.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/exground.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/exground.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/exground.com\/en\/wp-json\/wp\/v2\/comments?post=6656"}],"version-history":[{"count":16,"href":"https:\/\/exground.com\/en\/wp-json\/wp\/v2\/posts\/6656\/revisions"}],"predecessor-version":[{"id":6687,"href":"https:\/\/exground.com\/en\/wp-json\/wp\/v2\/posts\/6656\/revisions\/6687"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/exground.com\/en\/wp-json\/wp\/v2\/media\/6657"}],"wp:attachment":[{"href":"https:\/\/exground.com\/en\/wp-json\/wp\/v2\/media?parent=6656"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/exground.com\/en\/wp-json\/wp\/v2\/categories?post=6656"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/exground.com\/en\/wp-json\/wp\/v2\/tags?post=6656"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}